all that jazz

OF ALL THINGS JAZZ, PAST AND PRESENT

Saturday, June 20, 2009

Danny Gatton - 88 Elmira St. (1991)

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This album is nothing short of a complete celebration of the electric guitar. Danny Gatton (1945-1994) was part fierce monster and part tedd...
7 comments:
Thursday, June 18, 2009

Luiz Bonfa - O Violao e o Samba (1962)

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Luiz Floriano Bonfá (October 17, 1922 - January 12, 2001) was a Brazilian guitarist and composer best known for the compositions he penned f...
6 comments:
Tuesday, June 16, 2009

John Mayall - Jazz Blues Fusion (1972)

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Superb 1972 live offering from British blues legend John Mayall throwing in some Clifford Jordan-style jazz for good measure expertly aided ...
9 comments:
Tuesday, May 5, 2009

John Zorn's Masada - Live in Middelheim (1999)

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Every album by John Zorn's Masada seems better than the last, and this one is no exception. By the time of this recording the group was ...
7 comments:
Monday, May 4, 2009

Bobby Broom - Modern Man (2001)

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Guitarist Bobby Broom has been playing profesionally for more than 30 years. He's worked, with Miles Davis, Sonny Rollins, Dr. John, Art...
17 comments:
Thursday, April 16, 2009

The Paul Bley Quartet w/J. Surman B. Frisell P. Motian (1988)

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This 1988 release was the second by this quartet ( Fragments , their first, was released two years earlier). The set features compositions w...
8 comments:
Wednesday, April 15, 2009

Paul Bley - Films · Jazz 'n (e)motion

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Sumptuous out-of-print solo Bley offering from RCA France's 1997 Jazz 'n (e)motion series where this master of understatement takes ...
7 comments:
Tuesday, April 14, 2009

Paul Bley Trio - Closer (1965)

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If the strident experimentation of free-jazz pioneers such as Cecil Taylor and Albert Ayler railed against conventional ideas of chord voici...
2 comments:

Paul Bley Quintet - Barrage (1964)

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What a difference in an artist's development a decade makes. Released originally in 1964, Paul Bley's Barrage is a creative, thorou...
5 comments:

Paul Bley - Introducing (1953)

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Paul Bley was 21 years old when he recorded his first album in 1953. With Art Blakey on drums and Charles Mingus on bass (it was originally ...
3 comments:
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The attitude of the gallant Six Hundred which so aroused Lord Tennyson's admiration arose from the fact that the least disposition to ask the reason why was discouraged by tricing the would-be inquirer to the triangle and flogging him into insensibility. F.J. Veale, Advance to Barbarism (Mitre Press, 1968).
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