Showing posts with label martial solal. Show all posts
Showing posts with label martial solal. Show all posts

Sunday, February 8, 2009

Martial Solal & Johnny Griffin - In & Out (2000)



Pianist Martial Solal and tenor saxophonist Johnny Griffin have more in common than their status as septuagenarian French immigrants--Solal moved to Paris from his native Algeria in the 1940s, and Griffin settled in southern France in the '60s. Each plays in a unique style, unimitative and unimitated, informed by a virtuosity rarely heard on their respective instruments. Big words, but the facts remain.

Although he boasts an ambidexterity reminiscent of Art Tatum, Solal uses it in a far more understated way, pencil-sketching the fills and fillips of an arrangement where Tatum would have used tempera flourishes. And Griffin--on this recording, especially--can rise above the fireworks riffing of his hard-bop contemporaries; his colossal technique allows him to develop an idea further than many other saxists could take it, at which point he essentially turns his style into the substance of his improvisations. The 8 tunes on this relatively short (47-minute) disc show a matchup that results in at least Griffin's finest work in years. And why not? Performing with the sensitive, constantly inventive Solal must be like playing a jazz concerto grosso as he turns the keyboard into a chamber orchestra of varied colors and voicings to support Griffin's solos, then expands his own brilliant statements to provide echoes and cues for his partner.

On "Neutralisme," a raffish tone poem by Solal, they volley solo snippets with the telepathic empathy of the great jazz partners from Louis Armstrong and Earl Hines through Charlie Parker and Dizzy Gillespie, and Wayne Shorter and Joe Zawinul. Solal has mesmerized listeners for nearly half a century, but a paucity of U.S. releases has kept him out of the mainstream limelight. In & Out will serve as a splendid introduction for Solal newbies, a reminder of his restless and inspiring creativity for the rest of us, and delightful proof of Griffin's powerful command of line and emotion. ~Neil Tesser

personnel:
Martial Solal - p
Johnny Griffin - ts

Tracklisting:
1. You Stepped Out of a Dream
2. Come With Me
3. In and Out
4. Hey Now
5. L' Oreille Est Hardie
6. When You're in My Arms
7. Neutralisme
8. Well, You Needn't

Rec. 1999

Thursday, February 5, 2009

The Date : Jimmy Raney - Martial Solal (1981)



This time Jimmy Raney is joined by Algerian-born pianist Martial Solal (of Jean-Luc Godard's À bout de souffle fame) for en exquisite duet session of standards and originals giving us some very introspective music a la Bill Evans - Jim Hall.

Tracklisting:
1. Motion (Raney)
2. It Could Happen To You (VanHeusen, Burke)
3. Just Friends (Lewis, Klenner)
4. Body And Soul (Green, Heyman, Sour, Eyton)
5. The Date (Solal)
6. Almost Like Being in Love (Lerner, Loewe)
7. My Old Flame (Johnson, Coslow)
8. The Way You Look Tonight (Kern, Fields)

Jimmy Raney - guitar
Martial Solal - piano

Rec March 7, 1981

Tuesday, October 14, 2008

Hampton Hawes & Martial Solal - Key For Two (1968)



Enter two African - Americans, one of them living permanently in France (Kenny Clarke) and two Frenchmen, one of them being born in Algiers (a pied noir or "black foot" as the Frenchies call them), two pianos, a bass and a set of drums and a very interesting musical situation can develop. I know, a jazz quartet with two pianos sounds bizarre but if you are a virtuoso in the mold of Hampton Hawes and Martial Solal these are mere formalities, enjoy.

Personnel:
Hampton Hawes: piano
Martial Solal: piano
Pierre Michelot: bass
Kenny "Clook" Clarke: drums

Rec. Paris, Jan. 1968

Track listing:
Key For Two
Stella By Stralight
Spring Can Really Hang You Up The Most
Bag's Groove
Lover, Come Back To Me
Fly Me To The Moon
The Theme
Godchild
Three For Two

Friday, February 15, 2008

Two Shades Of The Blues

The blues form has been paramount in jazz since the very beginning. Its basic 12-measure dominant format lends itself to all kinds of harmonic possibilities. Let's enjoy then three of the best exponents of jazz guitar exploring this ubiquitous form.

We start with jazz guitar semi god Wes Montgomery giving us one of his trademark compositions, West Coast Blues, an blues in 6/8, surrounded by a vast array of European and US talent in the likes of Martial Solal, Johnny Griffin and Ronnie Scott.

Taped for the German TV at NDR Studio 10 in Hamburg on April 30, 1965.

personnel:

Wes Montgomery (guitar)
Hans Koller (alto saxophone)
Johnny Griffin & Ronnie Scott (tenor saxophones)
Ronnie Ross (baritone saxophone)
Martial Solal (piano)
Michel Gaudry (bass)
Ronnie Stephenson (drums)



Next up, jazz guitar aces Jim Hall and his cohort Hungarian Attila Zoller giving us a taste of the blues sometime in the 70s in Oscar Pettiford's classic Blues In The Closet. They are superbly accompanied by bass giant Red Mitchell and Swiss drums veteran Daniel Humair.