Stan Getz and the Oscar Peterson Trio - 1958

Stan Getz said of this historic meeting with the Oscar Peterson Trio, "This is one of the most enjoyable recordings I ever made. How refreshing it is to play with these pros." ...Here, for the first time - in one collection - is the complete session.

TRACKLIST

1 I Want to Be Happy
2 Pennies from Heaven
3 Ballad Medley
4 I'm Glad There Is You
5 Tour's End
6 I Was Doing All Right
7 Bronx Blues
8 Three Little Words
9 Detour Ahead
10 Sunday
11 Blues for Herky



PERSONNEL

Stan Getz
Oscar Peterson
Herb Ellis
Ray Brown


Original session produced by Norman Granz. Recorded October 10, 1957 at Capitol Studios in Los Angeles in mono.

Sonny Sharrock & Nicky Skopelitis - Faith Moves (1990)

Outstanding duo session featuring two very adventurous guitarists. Skopelitis generally plays a supporting role on various guitars and guitar-like instruments while Sharrock soars. Sharrock had already made a great solo album ("Guitar", 1986) and this one is on the same high level. CMP (Creative Music Production) was started by Kurt Renker in 1977 and specialized a traditional and modern Avant-Garde Jazz, Experimental Rock and World Music. Almost all of CMP Records albums have an identifiable CMP Records sound, much like ECM, courtesy of recording engineer Walter Quintus. His production work gave CMP recordings uniquely spacious and detailed sound. After CMP records became defunct the label name and catalog was acquired by Silva Screen Records and almost the entire CMP catalog has been resurrected.

Tracklist

1 Who Are You 5:27
2 Becoming 2:34
3 Mescalito 3:28
4 Venus 5:48 (Pharoah Sanders)
5 In The Flesh 3:05
6 Sacrifice 4:43
7 First Of Equals 5:11
8 The Pyre 6:06
9 Uncle Herbie's Dance 2:55

Credits

Sonny Sharrock - electric guitar

Nicky Skopelitis - electric guitar, Acoustic Guitar, Baglama, Baglama [Saz], Sitar [Coral], Bass, Tar (lute)

Produced by Bill Laswell , Nicky Skopelitis

tracks 1 to 3, 5 to 8 composed by Nicky Skopelitis, tracks 1 to 3 & 6 to 9 by Sonny Sharrock

Tommy Flanagan - The Tokyo Recital (Pablo 1975)

Tommy Flanagan on piano, Keter Bets on bass and Bobby Durham on drums in an outstanding all-Ellington/Strayhorn set. Fantastic JVC K2 sound. Enough said.

Track Listing:

1. All Day Long
2. U.M.M.G. (Upper Manhattan Medical Group)
3. Something to Live For
4. Main Stem
5. Day Dream
6. The Intimacy of the Blues
7. Caravan
8. Chelsea Bridge
9. Take the "A" Train

Personnel: Tommy Flanagan (piano); Keter Betts (bass); Bobby Durham (drums)

Liner Note Authors: Benny Green; Norman Granz

Recording information: Tokyo, Japan (02/15/1975)

Photographer: Norman Granz

The Tommy Flanagan Trio - Prestige Moodsville Series No. 9

The Prestige Moodsville series was a series of LPs intended to provide a a compilation of performances where "imporant names in jazz can just relax and play the tunes they like" and where the "emphasis will be on relaxed, thoughtful and expressive jazz, after hours music if you will". Tommy Flanagan must have been an obvious choice. He is aided in this set by Tommy Potter on bass and Roy Hanes on drums. Rudy van Gelder captured the exquisite sound in his usual manner by setting up a couple of high-fidelity microphones and letting the players and room speak for themselves. Sound even bettered and brought up to modern standards by JVC's renown K2 remastering process.

Track Listing:

1. 2257 You Go To My Head
2. 2258 In The Blue Of The Evening
3. 2259 Velvet Moon
4. 2260 Come Sunday
5. 2261 Jes' Fine
6. 2262 Born To Be Blue
7. 2263 In A Sentimental Mood

personnel:

Tommy Flanagan (p) Tommy Potter (b -1/3,5/7) Roy Haynes (d -1/3,5/7)

Rudy Van Gelder Studio, Englewood Cliffs, NJ, May 18, 1960

Stan Hope - Pastels

This Stan Hope recording combines bold confidence with a polished elegance reminiscent of Erroll Garner, his early influence. Hope's playing sparkles like Garner's, but is not as fanciful or as ornate. Hope doesn't engage in those long, twisting runs Garner is noted for, but he certainly swings and plays in an unabashedly romantic manner. His renditions of 4 Garner charts have the same spare yet melodic selectivity as that of his idol. While this album is primarily a piano trio set, long-time sidecick Houston Person shows up with his swinging soulful tenor saxophone on three cuts. Drummond and Washington are their usual excellent selves and sonics are plush in trademark Savant manner.

1. Be Anything
2. Summer Serenade
3. Moment's Delight
4. That's My Kick
5. A Flower Is A Lovesome Thing / Forest Flower
6. Hopeful Blues
7. Pastels
8. Nightwind
9. Indiana
10. Cottage For Sale / Everything I Have Is Yours / I'm Falling For You



Personnel: Stan Hope (piano); Houston Person (tenor saxophone); Ray Drummond (bass); Kenny Washington (drums)

Recorded at M & I Studios, New York, New York on November 17, 1999.

Paul Chambers & Tommy Flanagan - Motor City Scene

Collected recordings of two excellent hard bop units consisting of musicians solely from Detroit, the first led by Thad Jones and Billy Mitchell and the second by Donald Byrd and Pepper Adams that not only stand out as two of the rarest of the Bethlehem jazz recordings, but which are also two of the best records made by the teams of these venerable Detroiters. Lone Hill Jazz chose to market this CD under the names of Flanagan and Chambers which were present on both sessions. Both combos groove very nicely here and who dares not to in the presence of hard bop royalty such as Kenny Burrell, Thad Jones, Al Grey, Pepper Adams, Donald Byrd, Tommy Flanagan, Paul Chambers, "Hey" Lewis (a Louis Hayes alias) and Elvin Jones. The bands are very tight and the tracks are long enough that everybody gets in some good licks on the solos. 9 numbers in all: "Let's Play One", "Minor on Top", "Like Old Times", "No Refill", "Stardust", "Trio", "Philson", "Libeccio", and "Bitty Ditty". Originally released as Motor City Scene (#1-4) and Stradust (#5-9) on the Bethlehem label this CD puts the 2 sessions together for the first time. Way harder than most of the west coast sessions on Bethlehem, and two essential hard bop classics that's nigh on impossible to find on wax.



1. Let's Play One
2. Minor on Top
3. Like Old Times
4. No Refill
5. Stardust
6. Trio
7. Philson
8. Libeccio
9. Bitty Ditty

1-4 (Motor City Scene): Thad Jones (cnt, flhrn), Al Gery (tb), Billy Mitchell (ts), Tommy flanagan (p), Paul Chambers (b), Elvin Jones (d)
New York October 24 & 32, 1959

5-9 (Stardust): Donald Byrd (tp), Pepper Adams (bar), Tommy Flanagan (p), Kenny Burrell (g), Paul Chambers (b), Louis Hayes (d)
New York, 1960

Carmen McRae - Birds of a Feather ft. Ben Webster (Decca 1958)

Yes, there's a concept on the loose here -- all the songs are about birds. Fortunately, there are plenty of good songs on the subject, and it's not so narrow that all the focus hinges on birds themselves. Add horn men Ben Webster and Al Cohn to McRae's enigmatic, dark contralto voice and you get the general idea.

1. Skylark
2. Bob White (Whatcha Gonna Swing Tonight?)
3. Nightingale Sang in Berkeley Square, A
4. Mister Meadowlark
5. Bye Bye Blackbird
6. Flamingo
7. The Eagle and Me
8. Baltimore Oriole
9. When the Red, Red Robin Comes Bob, Bob, Bobbin' Along
10. Chicken Today and Feathers Tomorrow
11. When the Swallows Come Back to Capistrano
12. His Eye Is on the Sparrow


Personnel: Carmen McRae (vocals); Barry Galbraith, Mundell Lowe (guitar); Al Cohn, Ben Webster (tenor saxophone); Irwin "Marky" Markowitz (trumpet); Dick Berg, Fred Klein, Donald Corrado (French horn); Don Abney (piano); Don Lamond, Todd Sommer, Nick Stabulas (drums).

Liner Note Author: Burt Korall.

Recording information: New York, NY (08/04/1958-08/08/1958).

Director: Ralph Burns.

Arrangers: Milt Gabler; Ralph Burns.

Dr. John performing the music of Duke Ellington - Duke Elegant (1999)

Dr. John (a.k.a. Mac Rebennack) may have been a couple of months late in releasing this Duke Ellington centennial tribute, but his execution of these legendary numbers is still a delight. Rather than handling each classic as if it were a delicate museum piece to be treated with kid gloves, Rebennack instead infuses them with his signature style, which leans more toward New Orleans R&B. Songs such as "I'm Gonna Go Fishin" and "It Don't Mean a Thing (If It Ain't Got That Swing)" are given light funk workouts dominated by chugging grooves and popping bass. The album constantly shifts gears, as Dr. John turns "Satin Doll" into a latin shuffle, hops on the organ to inject some Jimmy Smith-flavored phrasing into "Perdido," and transforms "Things Ain't What They Used to Be" into a Meters-like workout. Dr. John's brightest moments come on "Don't Get Around Much Anymore" and "Flaming Sword." Rebennack transforms the former from wistful ballad into an upbeat declaration of freedom while on the latter, his piano breezily dances along the top of a syncopated rhythm in a manner reminiscent of his late friend James Booker. So in a nutshell the Duke gets pure fonk-i-fied by the good Dr.

1. On the Wrong Side of the Railroad Tracks
2. I'm Gonna Go Fishin'
3. It Don't Mean a Thing (If It Ain't Got That Swing)
4. Perdido Street Blues
5. Don't Get Around Much Anymore
6. Solitude
7. Satin Doll
8. Mood Indigo
9. Do Nothin' Till You Hear from Me
10. Things Ain't What They Used to Be
11. Caravan
12. The Flaming Sword

Personnel: Dr. John (vocals, piano, Hammond B-3 organ); Bobby Broom (guitar, background vocals); Ronnie Cuber (saxophone); David Barard (bass, background vocals); Herman Ernest III (drums, background vocals); Cyro Baptista (percussion).

Recorded at RPM Sound Studios, New York, New York. Includes liner notes by Dr. John.

Professor Longhair (featuring Dr. John) - Crawfish Fiesta (1980 Alligator Records)

New Orleans is said to be a city where having a party has been elevated from a casual pastime to a way of life. Nobody understood this better than Professor Longhair, one of the pioneers of New Orleans rhythm & blues. His influence can be heard in Fats Domino, Allen Toussaint and Dr. John, among many others. Known for his unique mix of blues, jazz, calypso, ragtime, and zydeco, "Fess" (as he was known) defined and captured the essence of New Orleans in his music. This is his best album and unfortunately it was his last. Professor Longhair is the very essence of New Orleans blues. He was Dr. John's mentor, who also was Professor Longhair's studio guitarist, before he dedicated himself to the piano and led a career of his own.

1. Big Chief 3:16
2. Her Mind Is Gone 4:24
3. Something On Your Mind 4:13
4. You're Driving Me Crazy 2:36
5. Red Beans aka I Got My Mojo Working 4:12
6. Willie Fugal's Blues 2:06
8. In The Wee Wee Hours 3:24
9. Cry To Me 3:38
10. Bald Head 3:00
11. Whole Lotta Loving 3:48
12. Crawfish Fiesta

Recorded at Sea-Saint Studios, New Orleans. Includes liner notes by Tad Jones and Mindy Giles.

Personnel: Professor Longhair (piano, vocals); Dr. John (guitar); Andy Kaslow, Tony Dagradi (tenor saxophones); Jim Moore (baritone saxophone); David Lee Watson (bass); John Vidacovich (drums); Alfred "Uganda" Roberts (congas)

T-Bone Walker - Funky Town (1969)

T-Bone Walker's legacy casts a giant shadow over modern blues. He exerted a major influence on many artists, including B.B. King, Pee Wee Crayton and Chuck Berry. T-Bone combined superlative guitar playing with a fine singing voice. Although the forties and fifties were his heyday, he never stopped touring. Bob Thiele, an experienced producer for abc/Impulse (jazz) and abc/Bluesway, recorded him in the late sixties (as he did with B.B. KIng, Earl Hooker, Charlie Brown, etc) producing two LPs "Stormy Monday Blues" (1967) and "Funky Town" (1969). On these recordings, he is perfectly backed by veteran virtuoso Lloyd Glenn - who originally accompanied Walker on his 1947 blues mega-hit Stormy Monday Blues - on keyboards and by three other excellent younger musical hotshots: Mel London (gtr), Ron Brown(bs) and Paul Humphrey (dms). As usual for T-Bone, a good horn section is featured as well. These are, actually, the last true jewels that T-Bone recorded before passing away in 1975. Here, he reprises some of his best known numbers but also proves able to modernize his blues, making it sound - indeed - funkier. He achieves this by using faster tempos and by giving a lot of room to his accompanists (particularly to Mel Brown's hard edged guitar sound). His voice, now huskier than before, perfectly complements the musical stew. This compilation provides an interesting contrast to his previous, smoother and more sophisticated sides. However, the latter qualities have not been thrown overboard. The jazzy tinge of his earlier work remains apparent but does not dominate as much as before. As could be expected, the sound quality on this Bob Thiele production is certainly way more dynamic than the one found on his early 78's from the forties and early fifties. An album to (re)discover without hesitation.

track listing

1 Going to funky town
2 Party girl
3 Why my baby ( keep on bothering me )
4 Jealous woman
5 Going to build me a playhouse
6 Long skirt baby blues
7 Struggling blues
8 I'm in an awful mood
9 I wish my baby ( would come home at night )

personnel:

Lloyd Glenn (kbs), Mel London (g), Ron Brown (b), Paul Humphrey (d), horn section (uncredited)

produced by Bob Thiele for abc/Bluesway, 1969