In this great solo piano set from 1997 Arvanitas displays in spades what separates the men from the boys. His choice of material is impeccable and spans the whole history of jazz piano from Scott Joplin to Chick Corea.
Tracklisting: 1. The Entertainer 2. Rosetta 3. Ain't Mishbehavin 4. Blue And Sentimental 5. Come Sunday 6. Piano Is Art 7. Chelsea Bridge 8. This Way Out 9. Misty 10. Boucing With Bud 11. Monk's Mood 12. D & E 13. DJango 14. The Duke 15. Nica's Dream 16. Very Early 17. Dolphin Dance 18. Windows 19. Beautiful Florence
The web abounds with excellent jazz blogs who present major jazz masters, past and present, in a most comprehensive and respectful manner. As regular visitors of this blog should know by now, what we do here is try to raise awareness for lesser-known jazz artists who, either due to luck (or lack thereof) or choice never earned the recognition they so rightfully deserved.
One such artist is Georges Arvanitas, a French pianist born in 1931 in Marseilles from Greek immigrant parents, a figure of cult status in his native country as well as among visiting US musicians as a highly respected session contributor; he earned the nickname "Georges Une Prise" ("One-take George") for his reliable efficiency and mastery as can be seen on video below filmed in Brussels in 1962 displaying him accompanying the Hawk, the great Coleman Hawkins, with great verve.
He accompanied and recorder with the likes of Don Byas, Mezz Mezzrow, Dexter Gordon, Chet Baker, Slide Hampton and many others; LPs with his name command astronomical prices in France among collectors. Rumor has it that on Psychiemotus, a 1964 Impulse! Yusef Lateef date on which Arvanitas performed piano duties, Lateef was so smitten by his playing that the album's last piece is an unaccompanied piano rendition of Fats Waller's Ain't Misbehaving.
He was the recipient of the Chevalier des Arts et des Lettres award in 1985 for lifetime services; Arvanitas was at home with every jazz piano idiom as I had the chance to witness during the various times I've seen him live and as these offerings from the 90s amply demonstrate, enjoy.
A great all-Gershwin set.
Ditto, but this time it's the Duke who gets the Arvanitas treatment and we get the chance to hear Take The 'A' train, Duke's signature piece, in 5/4 time - a must-listen.
Continuing our presentation of great fingerstyle guitar virtuosi, let's enjoy Tuck Andress tackling an eclectic bag of covers on an album recorded with "no overdubbing, punching in or fixing of mistakes." - it's just the man and his Gibson L-5.
1. Man In The Mirror 3:51 2. Over The Rainbow / If I Only Had A Brain 4:41 3. Louie Louie 3:44 4. Body And Soul 4:56 5. Sweet P 4:09 6. Stella By Starlight 4:29 7. Manonash 3:55 8. Manha De Carnaval 5:35 9. Grooves Of Joy 11:05 10. Begin The Beguine 3:19
The attitude of the gallant Six Hundred which so aroused Lord Tennyson's admiration arose from the fact that the least disposition to ask the reason why was discouraged by tricing the would-be inquirer to the triangle and flogging him into insensibility.
Advance to Barbarism
(Mitre Press, 1968).
Music posted here is for information purposes only. I don't subscribe to the notion that record companies are ripped off by the proliferation of blogs like this one. It is my firm belief that quite the contrary happens i.e. by bringing awareness to hitherto virtually unknown artists to the general public the music benefits greatly and a new level of interest is created.
Listeners are therefore kindly requested to buy the original music and support artists if they fancy what they hear - remember: if you like it, buy it!