Every album by John Zorn's Masada seems better than the last, and this one is no exception. By the time of this recording the group was a tightly cohesive unit, performing at an extremely high and satisfying level, with Zorn and Douglas playing comfortably at a blistering pace. The songs are tinged with hints of Eastern European harmony, but the heat generated, while perhaps related to the raucous dancing at a Jewish wedding, is firmly rooted in the ways of Avant Garde Jazz. Zorn takes some of his best solos on disk, sounding like silly putty on speed, while the more proper Dave Douglas lags only slightly behind. With a recording time nearing eighty minutes, and substantial contributions from the entire quartet, the recording marks not so much a milestone in the life of the group as a symbol of its ability to constantly expand upon itself and draw on its not inconsequential roots, proving again that you don't have to be Jewish to enjoy Jewish-tinged culture. ~ Steven Loewy, All Music Guide
In addition to Mr. Lowey's very knowledgeable review, I have to say that this is one of the best jazz albums in recent years, it grabs you by the balls and never lets go, enjoy. ~d3lta
Guitarist Bobby Broom has been playing profesionally for more than 30 years. He's worked, with Miles Davis, Sonny Rollins, Dr. John, Art Blakey, Kenny Burrell, Charles Earland et al. Modern Man brings to mind the urgent, smoking energy of a young, unbridled George Benson, circa 1966's Cookbook. Indeed, fire-breathing baritone sax ace Ronnie Cuber and Hammond B-3 marvel Dr. Lonnie Smith - both key elements of that ferocious mid-60's Benson quartet - are both aboard here to ignite the fire beneath Broom's guitar in a set so diverse that it even includes pop-funk standards as Stevie Wonder's Superstition and Eric Clapton's rock anthem Layla. Great stuff.
1. Dance For Osiris 2. Ponta Grossa 3. Superstition 4. Mo' 5. I'll Never Fall in Love Again 6. Blues For Modern Man 7. Old Devil Moon 8. A Peck A Sec 9. After Words 10.Layla
The attitude of the gallant Six Hundred which so aroused Lord Tennyson's admiration arose from the fact that the least disposition to ask the reason why was discouraged by tricing the would-be inquirer to the triangle and flogging him into insensibility.
Advance to Barbarism
(Mitre Press, 1968).
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