Turn every stone in jazz, soul, pop, rock and whatnot since the 70s and chances are that you'll bump into drum wunderkind Steve Gadd. Steve's talent has graced albums of Paul McCartney, Paul Simon, Steely Dan, Al Jarreau, Joe Cocker, Stuff, Bob James, Chick Corea, Eric Clapton, James Taylor, Jim Croce, Eddie Gomez, The Manhattan Transfer, Michal Urbaniak, Steps Ahead, Al Di Meola, Manhattan Jazz Quintet, Richard Tee, Jon Bon Jovi, Bee Gees to name but a few. As Chick Corea said ""Every drummer wants to play like Gadd because he plays perfect ... He has brought orchestral and compositional thinking to the drum kit while at the same time having a great imagination and a great ability to swing" (Duke's Lullaby from this LP proves that in spades). Gadd has collaborated since the 70s with ace session men Cornell Dupree, Richard Tee and Eddie Gomez with the group Staff. Bari sax legend Ronnie Cuber was added to the roster during the 80s and the Gadd Gang was born. This is feel-good music, these seasoned veterans sound like having a heck of a time playing it scoring high marks in the trouser flapping department, great, groovy stuff. Tracklisting 1 Watching The River Flow 6:36 Composed By - Bob Dylan
2 Strength 4:28 Composed By - R. McDonald* , S. Gadd* , W. Salter*
3 Way Back Home 6:57 Composed By - Wilton Felder
4 Morning Love 4:20 Arranged By - Richard Tee Composed By - Eddie Gomez
5 Duke's Lullaby 3:59 Composed By - Steve Gadd
6 Everything You Do 3:47 Composed By - Richard Tee
7 Honky Tonk / I Can't Stop Loving You 6:53 Arranged By [Horns] - David Matthews* Composed By - B. Doggett* , B. Butler* , C. Scott* , D. Gibson* , E. Grover* , S. Shepard* Saxophone [Tenor] - George Young (2) , Michael Brecker Trombone - Barry Rogers , David Taylor Trumpet - Jon Faddis , Lew Soloff
The gang Richard Tee keyboards Cornell Dupree guitar Eddie Gomez bass Steve Gadd drums Ronnie Cuber baritone sax (on #1,3,& 7)
Recorded and mixed at Record Plant Studios, NYC in June and August, 1986 by using SONY 3324 Digital Recorder.
The attitude of the gallant Six Hundred which so aroused Lord Tennyson's admiration arose from the fact that the least disposition to ask the reason why was discouraged by tricing the would-be inquirer to the triangle and flogging him into insensibility.
Advance to Barbarism
(Mitre Press, 1968).
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