For the making of this rare, out-of-print gem from 1992 some stellar performers gathered in NYC to celebrate the time-honored habit of the studio jam session. The gentlemen in question were the great late Danny Gatton on guitar, Bobby Watson on alto sax, Roy Hargrove on trumpet, Joshua Redman on tenor sax (on his first recording), Franck Amsallem on piano, Charles Fambrough on bass and Yuron Israel on drums. The concept was that each musician would bring a composition to the studio where it was recorded in the least takes possible in order to convey that live feel. The results might not be of Miles' So What proportions (which was recorded in the exact same way), but these guys show the world what an accomplished jazz player knowing his chops can do in a spontaneous musical situation - and they can do a lot. Alas, this splendid idea from the Blue Note label is laying at the bottom of the Ocean of Great Jazz Ideas and a Vol.2 was never released, so we have to cherish Vol.1 we have here as much as we can, enjoy.
The attitude of the gallant Six Hundred which so aroused Lord Tennyson's admiration arose from the fact that the least disposition to ask the reason why was discouraged by tricing the would-be inquirer to the triangle and flogging him into insensibility.
Advance to Barbarism
(Mitre Press, 1968).
Music posted here is for information purposes only. I don't subscribe to the notion that record companies are ripped off by the proliferation of blogs like this one. It is my firm belief that quite the contrary happens i.e. by bringing awareness to hitherto virtually unknown artists to the general public the music benefits greatly and a new level of interest is created.
Listeners are therefore kindly requested to buy the original music and support artists if they fancy what they hear - remember: if you like it, buy it!