The Paul Bley Quartet w/J. Surman B. Frisell P. Motian (1988)
This 1988 release was the second by this quartet (Fragments, their first, was released two years earlier). The set features compositions written by each of the players, with two contributions from Bley. The ensemble is well matched and the absence of a traditional rhythm section allows the musicians to play in and around open spaces (an approach in keeping with the group members' own releases). Bill Frisell's long and lingering notes peek out from behind Bley's piano, while John Surman's reeds wrap the whole in a rich, gauzy cloth. All the while drummer Paul Motian plays his kit with the quiet majesty of volcanic ash settling onto horizontal surfaces. Recorded in Norway at one of the producer's preferred studios, the sonic clarity is gorgeous (a hallmark of ECM releases). The title of Bley's "Interplay" invokes the key word that makes this music work so well.
Interplay Heat After Dark One In Four Triste
Payl Bley piano John Surman soprano sax bass clarinet Bill Frisell guitar Paul Motian drums
Recorded at Rainbow Studio, Oslo, Norway in November 1987 ECM 1365
The attitude of the gallant Six Hundred which so aroused Lord Tennyson's admiration arose from the fact that the least disposition to ask the reason why was discouraged by tricing the would-be inquirer to the triangle and flogging him into insensibility.
Advance to Barbarism
(Mitre Press, 1968).
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